The audience enters a different world through Melanie (played by Jessica De Gouw), who is still reeling from her traumatic experience of losing her family during the zombie outbreak. On the verge of anger and revenge, Melanie’s repetitive nightmares haunt her.
Desperate to help Melanie overcome her tragic past and save a relationship that’s crumbling under the pressure, Melanie’s boyfriend, Lewis (Martin McCann), books them a trip to the five-star ReZort. But just as Melanie prepares to face her demons, all hell breaks loose when a zombie rights activist hacks into the park’s security system and uploads a virus, which disables all security settings releasing thousands of zombies back into the wild. The ReZort experience just got real. Outnumbered and isolated, Melanie and the few remaining guests at The ReZort must work together to battle their way to safety. And the only way Melanie is going to get out of this alive is to face her worst nightmare head on.
Jessica De Gouw sums the film up as “a hybrid of genres. It is zombie horror in some respects, but it’s also more of an adventure and quest story than zombie films normally are with a very weighty truth about the human condition.” While The ReZort is an ensemble film, the role of Melanie is integral to the film as she is a conduit for the audience into this post-apocalyptic society: “She lost her dad during the war, so she’s on a path of discovery, it’s through her eyes that we go on this journey and navigate this world,” adds De Gouw.
Such a layered role was a difficult one to portray, according to writer Paul Gerstenberger, “Her character is a tricky one to pull off as she’s someone who has a lot of demons and is damaged and broken in a lot of respects. The role required someone to portray that without coming across as simpering”. In rising star DeGouw, Gerstenberger feels they found that quality and more, “In many respects, Jessica as Melanie is a lot stronger than I imagined or hoped she would be.”
“I was a huge fan of Michael Crichton and his tech thrillers, like Jurassic Park and Westworld”, says Gerstenberger. ”So those were some of the influences in writing this. The parallels to both films are clear, in that The ReZort is set in a Safari Park on an island, where an environment is created for entertainment for visitors to interact with unnatural entities, but eventually become overrun by the inhabitants under containment.”
Generation Z is a slick and contemporary thrill ride offering a fresh twist on the zombie film genre but first and foremost it is fun and entertaining, made to appeal to a broad audience of film fans: “it has a great sense of escapism and entertainment” explains director Steve Barker. “When I first read the script I was immediately struck by the unique proposition presented by the concept itself. It was a brilliant read and great fun to bring about”.
Generation Z will finally open June 15 and released by Axinite Digicinema.